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Sarah Kenderdine
Sarah Kenderdine is a museum curator and former maritime archaeologist.〔(''• DIHA - Digital Intangible Heritage in Asia. (n.d.). Cameron, F., & Kenderdine, S. (2007). Theorizing Digital Cultural Heritage: A Critical Discourse (Media in Transition). The MIT Press.'' )〕〔(''• Kenderdine, S., Shaw, J., Del Favero, D., & Brown, N. (2007). Co-evolutionary narrative and augmented stereographic panoramas, Vijayanagara, India. New heritage: New media and cultural heritage, 275.'' )〕〔(''• Kenderdine, S. (2007, July). Somatic solidarity, Magical Realism and Animating Popular Gods: Place-Hampi" where intensities are felt". In Information Visualization, 2007. IV'07. 11th International Conference (pp. 402-408). IEEE.'' )〕 Professor Sarah Kenderdine researches at the forefront of interactive and immersive experiences for museums and galleries. In widely exhibited installation works, she has amalgamated cultural heritage with new media art practice, especially in the realms of interactive cinema, augmented reality and embodied narrative.〔(''Kenderdine, S. (2007). 15Speaking in Rama: Panoramic Vision in Cultural Heritage Visualization. Theorizing Digital Cultural Heritage, 301. )〕 She is considered a pioneer in the fild digital heritage, digital humanities and big data visualisation and is a regular keynote speaker at related forums internationally. She concurrently holds the position of Professor at UNSW Art & Design and Director of Visualisation for UNSW’s cross-faculty Medical Innovation through Visualisation project and Expanded Perceotion and INteraction Centre (EPICentre). She’s Deputy Director of the National
Institute for Experimental Arts (NIEA) and Director of the Lab for Innovation in Galleries, Libraries, Archives and Museums (iGLAM) and an Associate Director, iCinema Research Centre. She continues a lifelong position as head of Special Projects for Museum Victoria, Australia (2003—) and is Director of Research at the Applied Laboratory for Interactive Visualization and Embodiment (ALiVE), City University of Hong Kong. Prof. Kenderdine has conceived and created interactive installations on UNESCO world heritage sites including Angkor, Cambodia; The Monuments at Hampi, India; Olympia, Greece and at numerous
sites throughout Turkey. Between 2012-2015 she directed Pure Land: Inside the Mogao Grottoes at Dunhuang, Pure Land Augmented Reality Edition, Pure Land Henqin and Pure Land UnWired in collaboration with the Dunhaung Academy. In 2012, ECloud WWI for Europeana. She conceived and curated Kaladham | PLACE-Hampi as a permanent museum located at Vijayanagar, Karnataka, inaugurated in November 2012, and co-directed two new installations based on ‘Pacifying of the South China Sea Pirates’ scroll which recently premiered at Maritime Museum, Hong Kong (2013). In 2104, she completed Museum Victoria’s data browser for 100,000 objects, in a 360-degree 3D interactive installation in the galleries. Formerly, Kenderdine was Creative Director of Special Projects at the Powerhouse Museum, Sydney (1998-2003). She is a maritime archaeologist, former curator at the Western Australian Maritime Museum (1994-1997) and has written a number of authoritative books on shipwrecks. In 1994-1995, she designed and built one of the world’s earliest museum websites (for the Maritime Museum) and
subsequently award-winning cultural networks/websites for: Australian Museums Online (AMOL), the ten South East Asian Nations (ASEAN) and, Intel Corporation’s Olympic Games Olympia projects, Sydney 2000. Output summary In the last 10 years Kenderdine had produced over 70 exhibitions and installations for museums worldwide with 35 peer reviewed publications including two books. In 2015 she will write a new coauthored monograph: Kenderdine, S & Cameron, F 2014, Theorizing digital cultural heritage for a complex, turbulent and entangled world, MIT Press, Cambridge, MA (contracted 13 March 2013). Recent Awards Rankin Scholar-in-Residence 2015, Drexel University, Philadelphia, USA. Council for Humanities, Arts and Social Sciences (CHASS) Prize for Distinctive Work 2014: the Pure Land projects. International Council of Museum Award (Australia) 2013: Kaladham | PLACE-Hampi, Karnakata, India. Australian Arts in Asia Awards Innovation Award 2013: Kaladham | PLACE-Hampi, Karnakata, India. Tartessos Prize 2013 for contributions to virtual archaeology worldwide. Digital Heritage International Congress & IMéRA Foundation Fellowship 2013 (Aix-Marseille University).
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